Sunday, October 19, 2014

Why are the black people so mad?

Recently we have all been hearing about the controversy surrounding the Michael Brown case in the news. African-Americans have been rallying around the murder of this young man and using it as a platform to divulge frustrations that have been festering within the souls of black people for some time now. One issue that arises is that of police brutality. Was this young man, on the verge of beginning a new chapter of his life, killed only because of the color of his skin and the stereotypes that society has attached to it? The possibility of this question being answered in the affirmative is a huge reason for why the black people are so mad.
The event is too reminiscent of that time where the murder of African-American men, or rather, African-Americans in general, was carried out without the slightest fear of punishment. The murder of African-Americans was seen almost as a sport, a popular pastime, exercised by white southerners that was socially and, at times, legally sanctioned. Often times these murders were carried out by police officers, people who were sworn to protect the public, but, instead, in the black community, were the most eminent menaces. This reminiscent quality of the Micheal Brown case is a part of the reason why black people are so mad. However,  the rage runs even deeper than this.

The Grammy winning artist, Lauryn Hill, relates the extensive depth of this rage and its origins in a song that she wrote in reaction to Michael Brown. The song is entitled, “Black Rage” and is, ironically, set to the tune of The Sound of Music’s “My favorite things.

Some of the lyrics are as follows:

          Black rage is founded on two-thirds a person

Rapings and beatings and suffering that worsens

Black human packages tied up in strings...

Black rage is founded on draining and draining

Threatening your freedom to stop your complaining…
Then call you mad for complaining,complaining...

Black rage is founded on blocking the truth

Murder and crime, compromise and distortion

Sacrifice, sacrifice Who makes this fortune?...

Black rage is founded on these kinds of things...

Victims of violence both pysche and body

Life out of context is living unGodly
…
Black rage is founded on denial of self

Black human packages tied in subsistence

Having to justify very existence

Try if you must but you can't have my soul

Black rage is made by unGodly control

In these lyrics, Hill alludes to slavery, an institution that drained the life out of black bodies and forever imprinted upon their psyche a feeling of inferiority. She speaks of black activism, or protest, which she alludes to as complaining and the threats used to stop it. She speaks finally of the unGodly control of rascist whites that ultimately is the foundation of black rage. The song is a panorama of the pains African Americans have had to endure throughout history and provides an extensive answer to the question  “Why the black people are so mad?”

The black people are so mad because in Michael Brown’s case they see the ghosts of a past where African-Americans were not treated like human beings, where they were denied equal protection under the law, and even unjustly murdered by the law. They see a terrible foreboding in his death, one that threatens a reversion to the past. In other words, they see history threatening to repeat itself. This, understandably, enrages black people because isn’t this supposed to be “post-racial” America?



If you would like to listen to the song (I would suggest it) here is the link:

1 comment:

  1. Really interesting post! It makes me think about our class discussion today about how America is so selective in the instances of history it wishes to acknowledge. I think what's most interesting here is Hill's choice of tune she put her words to. The Sound of Music, I believe, was a staple in many of our childhoods. I know that I used to watch it all the time. In a way she is comparing the Von Trapp's oppression to black oppression. She's also alluding to the fact that in the original song, Maria encourages the children to think of other, happier things so that they can ignore their sadness. Unfortunately, as seen in the Michael Brown case, black sadness cannot be forgotten. I would argue, as I think Hill does, that this sadness does not need to be forgotten. Instead, it should be used to empower the black race and it's allies.

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